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Degenerate art

Degenerate art (German: Entartete Kunst) was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an "insult to German feeling", un-German, Freemasonic, Jewish, or Communist in nature. Those identified as degenerate artists were subjected to sanctions that included being dismissed from teaching positions, being forbidden to exhibit or to sell their art, and in some cases being forbidden to produce art.

Objects and visualizations

Relations to objects

Theo Gebürsch: Berliner Gartenhäuser, 1930Hans Grundig: Abendlied, 1938Arnold Fiedler: Revolution, 1919Gerd Böhme: Illustrationen zu Strindbergs Rausch, 1920Siegfried Berndt: Feldweg in weiter Landschaft, vor 1920Josef Eberz, Schrecken, 1915
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