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PlaceBaths of Diocletianx
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Diocletiansthermen

Winckelmann-Museum Stendal Aegidius Sadeler Europäische Stadt- und Landschaftsansichten Antikenansichten und antike Topographie in Grafik und Zeichnungen [WG-B-136.29]
Diocletiansthermen (Winckelmann-Museum Stendal CC BY-NC-SA)
Provenance/Rights: Winckelmann-Museum Stendal (CC BY-NC-SA)
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Description

Zu sehen sind die Diocletinasthermen in Rom, dargestellt ist ein Teil des Innenbereichs. Mittig ist eine monumentale Gewölbestrukturen der antiken Badeanlage gut erkennbar.

Bez.: Vestigij delle Terme, di Diocletiano dalla parte di dentro che guarda verso sirocco nelle quali si puol coprendrer p la smisurata altezza et larghezza delle volte la magnificentia et grandezza di detto edifitio nella parte segnata . A. era un Atriolo, overo Cortile con colonne attorno quale sostenevano un corritore per poter passeggiavi sotto, al coperto il pavimento era die diverse pietre di mischio che facevano bellissimi compratimenti lavorati di musaico Nella parte degnata .B. si vede la Pinacotheca overo luago dove erano varij intertenimenti di pitura et scultura adornata di grandissime collone di granito con lelor menbri.
u.r.: 28

Material/Technique

Kupferstich

Measurements

Bild: 15,7 x 27,1 cm (beschnitten) Blatt: 15,7 x 27,1 cm

Literature

  • Boon, Karel G. (Hrsg.) (1980): Hollstein&rsquo;s Dutch and Flemish Etchings, Engravings, and Woodcuts ca. 1450-1700: Volumes 21-22 Aegidius Sadeler to Raphael Sadeler II. Amsterdam
  • De Ramaix, Isabelle (1992): Les Sadeler: Graveurs et éditeurs. Bruxelles
  • De Ramaix, Isabelle (1998): Aegidius Sadeler II. In: The illustrated Bartsch 72. New York
  • Limouze, Dorothy Anne (1989): Aegidius Sadeler, Imperial Printmaker. Philadelphia
  • Limouze, Dorothy Anne (1990): Aegidius Sadeler (C. 1570-1629), Drawings, Prints, and Art Theory. Princeton
Winckelmann-Museum Stendal

Object from: Winckelmann-Museum Stendal

Das Winckelmann-Museum befindet sich an der Stelle des Geburtshauses von Johann Joachim Winckelmann (1717-1768). Die ständige Ausstellung widmet sich...

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