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Winckelmann-Museum Stendal Aegidius Sadeler Europäische Stadt- und Landschaftsansichten Antikenansichten und antike Topographie in Grafik und Aquarell [WG-B-136.24]
Porta Maggiore (Praenestina) (Winckelmann-Museum Stendal CC BY-NC-SA)
Provenance/Rights: Winckelmann-Museum Stendal (CC BY-NC-SA)
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Amphitheatrum Castrense

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Description

Dargestellt sind zentral im Bild die Überreste des Amphithaetrum Castrense. Dieses befindet sich in Rom und weißt einen eliptischen Grundriss auf.

Bez.: Vestgii d’uno Amphiteatro nominato da gli Antichi Castrense, qual e’congiunto con le mura della citta, et dentro il monsterio di s.a Croce in Hierusalem, fu questo edifitio di forma ovale e, fatto tutto di terra cotta adornato di colonne di mezo rilevo, e’pilastri, d’opera Corinthia, dimostra molto Anticho a’ vedere la maniera del lavora fu anco molto picolo, a rispetto degli altri ch’eranno in Roma, oggidi se ne servono gli frati di sa Croce per giardino.
u.r.: 24

Material/Technique

Kupferstich

Measurements

Bild: 16,1 x 27,1 cm (beschnitten) Blatt: 16,1 x 27,1 cm

Literature

  • Boon, Karel G. (Hrsg.) (1980): Hollstein&rsquo;s Dutch and Flemish Etchings, Engravings, and Woodcuts ca. 1450-1700: Volumes 21-22 Aegidius Sadeler to Raphael Sadeler II. Amsterdam
  • De Ramaix, Isabelle (1992): Les Sadeler: Graveurs et éditeurs. Bruxelles
  • De Ramaix, Isabelle (1998): Aegidius Sadeler II. In: The illustrated Bartsch 72. New York
  • Limouze, Dorothy Anne (1989): Aegidius Sadeler, Imperial Printmaker. Philadelphia
  • Limouze, Dorothy Anne (1990): Aegidius Sadeler (C. 1570-1629), Drawings, Prints, and Art Theory. Princeton
Winckelmann-Museum Stendal

Object from: Winckelmann-Museum Stendal

Das Winckelmann-Museum befindet sich an der Stelle des Geburtshauses von Johann Joachim Winckelmann (1717-1768). Die ständige Ausstellung widmet sich...

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