Picking up on his bullfighting scenes published in 1816, Goya again shows himself to be a master of lifelike representations of animals. But here he frames them in a bewilderingly paradoxical context. Wide-eyed and helpless, the four bulls – Spanish national animal and epitome of strength and courage – find themselves weightless, whirling around in a dark and infinite space. It is an image that makes abject existential insecurity viscerally palpable. (TD 2024, translation Büro LS Anderson, Berlin)
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